My concentration focuses on reflections within a landscape. While a photograph is traditionally restricted from viewing the 360 perspective, I use a mirror to pull elements from the surrondings to reveal a more encompassing interpretation of the landscape. Although the viewer is provided greater insight, the model acts as a reminder that even the greater perspective granted to them has been manipulated and purposely selected with them in mind. The use of mirrors in art always intrigued me and it always strikes me when unexpected elements are injected into a microosm. I need to work on abstracting my concentration and pushing the concepts that drive it and demonstrate them further in my work.

my limitation was shooting portraits in low light. shot in the city at night using color film.

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unedited projections . . flowers fade fade away

melancholy. my absolute favorite word (and emotion). humans can weep and so can the earth. could landscapes in themselves be melancholy or does the one project their own emotions onto the image?

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